51吃瓜劇情簡(jiǎn)介
? ⅰⅱⅲ獲得訪問她的家鄉(xiāng) ，看到她的病危父親只是發(fā)現(xiàn)他們之間的尷尬緊張。她結(jié)識(shí)了一位名叫Dokyung的男子，他來(lái)自首爾并與他親近 。盡管Gain看到了他的真實(shí)身份
，但她覺得自己的生命受到了威脅 。由Zin-soo No執(zhí)導(dǎo)的電影通常表現(xiàn)出將復(fù)雜心理狀態(tài)壓縮成簡(jiǎn)單情境的風(fēng)格。這是因?yàn)閷?dǎo)演表現(xiàn)出他對(duì)B電影的偏愛 ，喜歡描繪陷入困境的人物 ，而不是復(fù)雜心理學(xué)的戲劇 。然而 ，這部電影對(duì)一個(gè)人的心理有更多的描述 ，因此自然會(huì)更多地關(guān)注角色的行為和呼吸
。 Dokyung和Gain彼此相遇，就像他們本來(lái)應(yīng)該的那樣 ，是過去的受害者 ，并且在不知情的情況下成長(zhǎng)為攻擊者 。兩個(gè)虐待狂和受虐狂沉迷于肉體的快樂
，奔向極端。 The Suffered將強(qiáng)烈的性描寫和身體覆蓋在血液中
，對(duì)人類進(jìn)行特定類型的調(diào)查 。Gain visits her hometown to see her critically ill father only to find an awkward tension between them. She gets to know a man named Dokyung who came from Seoul and becomes close to him. As Gain sees who he really is, though, she feels her life is being threatened. The films directed by Zin-soo No have usually shown a style of compressing complex mental states into simple situations. This is because the Director shows his preference for B movies and enjoys depicting the characters stuck in a situation, instead of the dramas of complex psychology. However, this film has more depictions on one's psychology, hence naturally focuses more on characters' behaviors and breaths. Dokyung and Gain, who meet each other as if they were meant to be, are victims of the past, and have grown into attackers without knowing it. The two sadist and masochist indulge in carnal pleasures, running to an extreme end. Putting strong sexual descriptions and bodies covered in blood in front, The Suffered conducts its genre-specific investigation on human. The cinema of Zin-soo No now begins in earnest. (Lee Sang-yong)
廖偉力
詹姆斯泰勒
溫兆倫
